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I also note personality or other stereotypes of the actor/actress’s Jewishness, however defined by ethnicity or observance or some kind of Jewish identity so that their characters implicitly become Jewish because they have been cast. So fuck it.” So I’m following her career and the characters she portrays. I’m glad that I look like myself and I didn’t get a nose job to fit in, and now I’m starring in this movie and people seem to like it. But you know, I’ve realised that’s my issue. You know, that’s not the main girl, that’s the friend. Hadley Freeman meets the star of Obvious Child.I do feel that I look traditionally Jewish, and it’s something I’m proud of and it’s something I’m a little bit insecure about, because I think maybe people don’t see me as myself. Now she’s in the year’s most talked-about film. The British find us exotic, so the interviews are more explicit as in The Guardian,, “Jenny Slate’s career almost ended when she swore on Saturday Night Live. The network now wants me to call other actresses and tell them this is a good thing not a bad thing.” In The Writers’ Room (on Sundance Channel, Spring 2014), Julianna Margulies, sporting her hair pulled back straight in a pony tail, explained why she wears a full wig as “Alicia Florick” on The Good Wife: “I wanted her to look WASPy, but I'm a Jew with curly hair and I was a new mom. I’ve started taking into account how the audience reacts to them based on external assumptions, particularly if Jewish actresses portray them, either as identified by general knowledge or perception of physical characteristics, particularly curly hair as Samantha Shokin described ( Tablet Magazine ). (Like Elissa Strauss, in The Forward,, calls “Brassy Jewish Woman 2.0: Pamela From Louie C.K.”, though there has been no references that the character played by co-writer/producer/star (and Jew) Pamela Adlon is Jewish.) Even though I’ve stretched into what I call “putative Jews”, there needs to be more indication than who plays the part. I look at how the character is explicitly identified, but have had to expand to implications, particularly by a Jewish-type-sounding name, though I find that no one else makes these distinctions. Unlike everybody else, I am very careful in my analyses of films and TV shows to identify Jewish characters through actual evidence in dialogue, actions or supporting visuals (like the ubiquitous menorah-on-the-shelf prop). To find specific reviews by Nora Lee Mandel search by TV show title as listed by season since 1999 via your search engine “This song tells the story (from the perspective of her boyfriend Mose) of a Jewish girl named Sadie Cohen who becomes an actress and performs the risque role of Salome in opera.” From the exhibit Jewface: "Yiddish" Dialect Songs Of Tin Pan Alley, at YIVO, Words and music by Edgar Leslie and Irving Berlin (1909). Jewish Women in (and Missing from) the Flicks The Lilith Watch Mandel Maven's Nest Lilith Watch:Ĭritical Guide to Jewish Women on TV, in the Flicks and Popular Music Jewish Women on TV